"After leaving Pipestone boarding school in Minnesota in 1942, he joined the Navy and was assigned to San Diego, where he worked alongside animation artists from MGM and Walt Disney producing brochures and films for the war effort. In 1946, he established himself as one of the first modernists in American Indian fine art. After I was born in 1946, my family moved from Red Lake, Minn., to Minneapolis, where my father broke racial barriers by establishing himself as an American Indian commercial artist in an art world dominated by white executives and artists.... By often working with Native American imagery, he maintained a connection to his identity.... With the redesign [of the Land o' Lakes butter packaging], my father made Mia’s Native American connections more specific. He changed the beadwork designs on her dress by adding floral motifs that are common in Ojibwe art. He added two points of wooded shoreline to the lake that had often been depicted in the image’s background. It was a place any Red Lake tribal citizen would recognize as the Narrows, where Lower Red Lake and Upper Red Lake meet.... Mia simply didn’t fit the parameters of a stereotype...."
From "My Native American father drew the Land O’Lakes maiden. She was never a stereotype" (WaPo).